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Hotspots: Europe’s Sexy Seventies Horror

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A new subgenre opened up in the shadowy margins between art cinema and sexploitation in the new cinematic permissiveness of the seventies. In the U.S., it was mostly seen in grindhouse films from directors aspiring for something more meaningful (see Joe Sarno’s Sin in the Suburbs, 1964) or drive-in titillations from hungry young filmmakers with room […]

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